Prince Charles: ‘If I didn’t do this, who would?’
Note: This article is from the Guardian.
There is a sign as you turn into the drive at Highgrove that reads: “Beware. You are entering an old-fashioned establishment”. After the best part of the week following the sign’s owner, Prince Charles, around the country – from Dartmoor to the Yorkshire Dales and back to Gloucestershire, him mostly in a helicopter, me mostly on a train – I have been struggling to work out exactly how old that “old-fashioned” is.
There has been a strong whiff of the early 1930s about a lot of it. At the bunting-festooned Great Yorkshire Show, HRH has been touring pig pens and tasting pork pies carrying a shepherd’s crook and surrounded by red-faced men in bowler hats. You half expected William Brown and the Outlaws to emerge from under a trestle table. At other times, though, as he has mused on the latent spirituality in hedgerows, we could be at the Wordsworthian beginning of the 19th century before steam engines and progress came along to ruin everything. The prince is frankly unapologetic about this. More than once I hear him say: “People think what I’m doing is about going backwards.” The implied subtext is: “And what on earth could be wrong with that?”
The occasion of this particular bout of time travel has been the inaugural National Countryside week, created to coincide with the first anniversary of the Prince’s Countryside Fund. The fund is designed to reweave some of the fabric frayed by urbanisation and industrialised farming; to encourage big agriculture-related business to support the rural communities that supply it and to attempt to reconnect city-dwelling families with farming and food production. Like all of the prince’s work, this is heartfelt, highly ambitious, energetically pursued on many fronts and beset with more than a few contradictions. He seems to feel both inspired and fated to have taken it on: “If I didn’t do it, who would?” he asks me, in passing.
At two events at Highgrove, during Countryside Week, the prince lays out the thinking behind the fund. At the first, a party to celebrate a spirited organisation called Garden Organic, which promotes urban horticulture, he politely declines his vice-president Raymond Blanc’s invitation to join him in a chorus of the Marseillaise for Bastille Day and goes on instead to talk with some fervour about our role in the grand scheme of things. “Somehow we have been told, because of the entire education system and the current world view, that we can just go on depleting nature and exploiting it as we want to,” he suggests. “We need to reconnect young people with where their food comes from. We need them to grow something and eat it and not just get it from a clingfilm packet…”
The next day, meeting delegates from the Royal Agricultural College conference, he comes face to face with the clingfilm-loving head buyers from Sainsbury’s and Waitrose, as well as a range of farmers and foresters. Working groups are divided into four: “Trees”, “Upland/Lowland”, “Integration”, “Spirituality”. You have the sense they are talking the prince’s language. On a chair an important bit bigger than everyone else’s, he sets out where he is coming from. “As a child I remember very well that we pulled up our hedgerows and knocked down the centre of our towns,” he says. “There was this slash and burn philosophy. It just seemed to me to be insane. You push at nature and nature gives you an equal but opposite push back.”
The prince is almost reflexively self-deprecating – the first words he utters to me, on day two of our grandish tour, are: “I do hope all this isn’t boring you too much” – but he also insists on claiming the slightly martyrish role of the prophet misunderstood in his native land. He has stood firm, and definitely not Canute-like, as the tide of opinion has gone against him. He insisted on organics when all about him were up to the tops of their wellies in chemicals.
“I just,” he tells the Royal Agricultural College meeting, “wanted to be a repository for all the things that were being thrown away.” To this end he became patron of the Rare Breeds Trust, ensuring native animal breeds were not lost; and he has lately bought a fruit trial centre “where we now have 1,000 apple trees of 1,000 different varieties”.
“In the media,” he says, with a slightly withering glance in my direction, “they would no doubt describe this as me jumping from one bleeding subject to another.” He has no choice in this, though, he is a fighter of fires, and if he didn’t do it, who would?
I’m invited to walk with him through the garden at Highgrove where he expands on this thinking. This chat is eavesdropped by a private secretary, a press officer and a couple of minders, making sure he or I do not stray off-message. Still, strolling in his extraordinary garden, he seems relaxed enough, one hand in the pocket of his pale grey suit, a homegrown cornflower in his buttonhole. I wonder why he thinks as a nation we still give so little space to rural issues?
His sense, he says, is that “in the five or six generations that we have departed from the land a divide has grown up”. He characterises that divide not just between urban and rural values, but also within individuals. “We behave one way in our business lives and another in our homes,” he says (not, I’m pretty sure, on this occasion, employing the royal we), “and between our interior and our exterior.”
A large part of the Highgrove garden is a kind of Cotswold-Asian fusion. Some ornately carved gates the prince brought back from India have been set into a little pagoda made of local stone; at another shrine, which I’m told used to display a bust of Ted Hughes, there is now a head of the late Queen Mother emerging from a kind of sunburst. The prince talks animatedly of the unity of all things.
It’s quite Buddhist all this, I suggest. Isn’t it?
By way of an answer the heir to the throne asks: “Have you read my book Harmony?”
Of course not, I don’t say.
In one corner of the garden is the temple-like folly of a hut to which he retreats when he is here – every man needs a shed. He does his thinking there. The idea for the Countryside Fund came, though, he explains, when he was staying with friends in Cumbria. “Everyone has their favourite B&B,” he suggests, “and mine belongs to Joe and Hazel Relph in Borrowdale”. The prince first met the Relphs – upland sheep farmers – when foot and mouth had devastated Cumbria in 2001. He has, he says, been back to visit and sometimes stay every year since. A couple of years ago over supper, Joe Relph was telling him about the issues farmers like him faced. In the previous year British hill farmers had made an average loss of £3,000. The average age of a farmer was 58 and, with no incentive for sons and daughters to take on the work, skills were no longer being passed on. “They had lived that life for hundreds and hundreds of years,” the prince says, “we can’t just get rid of it for ever.” I speak to Relph later by phone: “It’s the way of life as much as the farming that he always wants to know about,” he tells me. “Always the way one thing depends on another…”
To date, the dozen or so major donors to the Prince’s Countryside Fund – one of which is his own Duchy Originals – have contributed around £1.5m in grants to projects devoted to that interdependency, including apprenticeship schemes to train young hill farmers. The Countryside Fund comes with a kind of kitemark, but it appears all you have to do to stamp one on your pasties (if you are Ginsters) or your burger boxes (if you are McDonald’s) is to demonstrate something of a commitment to British farming and put a bit of cash in. The fact that global corporations and the buying habits of some supermarkets may be contributing to the problems of small and sustainable farmers doesn’t seem to register or is accepted as a necessary evil.
There are further ironies – the ecologist helicoptering around arguing the virtues of shire horses – but the prince, as it were, ploughs on in good faith, with his special brand of touring theatre. In the course of my week in his shadow, I watch him discussing the hardships of moorland farming at a Duchy farm in Devon, in the company of a Dartmoor pony with an enormous erection waiting to get back to his mares. I see him stand in the middle of a circle of six men in suits talking earnestly, sir, about the special quality of their biomass and emissions. I see him tap a dutiful foot at an enthusiastic troupe playing on homemade “utterly-butterly ukuleles”. The prince gets through most of this with two dependable expressions, a nudge, nudge conspiratorial look, and a lairy grin that looks as if it might precede a clap on the back or a flick with a wet towel, but never does.
The strongest argument that the prince makes for his methods and philosophy, though, is a tour of Highgrove and Home Farm. Doubters are invited to behold the willow beds into which the royal lavatories empty, and the miraculous clear water that eventually results. David Wilson is the prince’s inspiring representative on earth at Home Farm, a vicar’s son trained in “ICI farming” who has seen the light of organics and sustainability. If you wanted evidence that the prince talks sense on those subjects you would visit the glorious fields of red clover, by which Wilson fixes nitrogen in the soil, as a rotation crop. Or you would look at the Welsh lambs grazing, as fat and white as any sheep I have seen. Or you would visit the orchard of 1,000 apple varieties weighed down with fruit, or the sustainable larch wood that supplies all the timber for farm buildings and the chippings for the boiler.
The prince’s current obsession is with the overuse of antibiotics in cattle. His herd routinely produces milk for six or seven lactations, while in some industrial farms they are lucky to get more than two. The prince, Wilson says, is never happier than when he is laying hedgerows in the traditional way – he takes me to see a stretch of hawthorn made by royal appointment. You imagine the hedge laying is a good metaphor for what the prince hopes his fund might make a start at achieving, the weaving of disparate elements leading to sustainable growth.
He may be concerned with the spiritual connections behind this fabric, but he is also attuned to the politics. In his garden he is keen to emphasise to me the importance of protecting and developing Pillar 2 of the European Common Agricultural Policy, which links subsidy with sustainable rural community.
“The thing is,” he says, summing up an argument at one point, “we need to be examining our souls a little more.” Or at least I think he said that. It might have been “soils”. But in any case, in his eyes, I guess, the two words are pretty much interchangeable.
guardian.co.uk © Guardian News & Media Limited 2010
Published via the Guardian News Feed plugin for WordPress.
Grazia admits digitally slimming Duchess of Cambridge
Note: This article is from the Guardian.
Grazia has admitted that it inadvertently slimmed down the waist of the Duchess of Cambridge by digitally altering a controversial cover picture of her in her Alexander McQueen wedding dress.
In its 9 May edition the weekly fashion title published a photo of what appeared to be an impossibly thin looking bride standing alone from the day of the royal wedding, which reignited the debate over the presentation of the female form in women’s magazines.
The Bauer Media-owned magazine has admitted that it did doctor the original image, of William and Kate leaving Westminster Abbey after their wedding ceremony.
In the process of removing her husband, the Duke of Cambridge, from the original photo and digitally reinstating Kate Middleton’s right arm – by using a mirror image of her left arm – to give the impression she was posing on her own, her waist was also reduced in size.
After investigating a complaint that the image had been manipulated, the Press Complaints Commission said: “The magazine explained how the image had been altered to remove the arm of Prince William so that the duchess could be featured on the cover alone.
“This involved mirroring one of the duchess’s arms and an inadvertent result of the change was the slimming of her waist.”
In a statement Grazia said it had wanted “a great image of the duchess on her own, but all the photographs had the duke in too … so we asked our reproduction house to remove him from the picture (common practice among glossy magazines). This would have left the Duchess with only one arm, so they copied over her arm to complete the picture.” .
Grazia said it “would like to reassure all our readers that we did not purposely make any alternations to the Duchess of Cambridge’s image to make her appear slimmer, and we are sorry if this process gave that impression”.
The final image on the front cover shows the duchess with a sharper than normal cinched waist and a disconnection between the bodice of the dress and the skirt on her right side, showing where the technicians had been at work.
The Duchess of Cambridge is not the first to have her image electronically enhanced for a glossy magazine cover.
Kate Winslet, an actor renowned for celebrating a normal figure has fallen victim to the airbrush on more than one occasion. In 2003, the editor of GQ admitted digitally lengthening and slimming her legs for a raunchy cover shoot in which she posed in a basque and high heels. Winslet protested that she “was pretty proud of how my legs actually looked in the real picture”.
Last month L’Oréal was forced to pull adverts for foundation creams featuring Pretty Woman star Julia Roberts and supermodel Christy Turlington after admitting the images had been digitally retouched.
Four years ago advertising watchdogs also criticised L’Oréal for a mascara advert in which Penélope Cruz wore false eyelashes.
• To contact the MediaGuardian news desk email editor@mediaguardian.co.uk or phone 020 3353 3857. For all other inquiries please call the main Guardian switchboard on 020 3353 2000. If you are writing a comment for publication, please mark clearly “for publication”.
• To get the latest media news to your desktop or mobile, follow MediaGuardian on Twitter and Facebook.
• This article was amended on 12 August 2011. The original referred to William and Kate leaving Westminster Cathedral after their wedding ceremony. This has been corrected. It also said the duchess had a normal synched waist which has been amended to a normal cinched waist.
guardian.co.uk © Guardian News & Media Limited 2010
Published via the Guardian News Feed plugin for WordPress.
Queen Elizabeth inspects Royal Guard
Queen Elizabeth II inspected the Royal Guard from the Argyll and Sutherland Highlanders, 5th Battalion, The Royal Regiment of Scotland at Balmoral Castle on August 8. (Photo © Press Association. Photo source: The British Monarchy)
Queen Rania visits library and school
Queen Rania of Jordan (at right in the photos below) inaugurated the New Taibeh Library and Park in Irbid, Jordan on August 3.
On August 7, the queen visited the Aleimoun Elementary School for Boys in Jerash, Jordan, where she checked on Ramadan community activities implemented by the queen’s Madrasati initiative.
Photos © Royal Hashemite Court. Photos source: queenrania’s photostream
Duchess gives away fortune to marry civil servant
Note: This article is from the Guardian.
She is one of the richest women in Spain, owns a dozen castles whose walls are hung with works by Goya, Velázquez and Titian and is a distant relative of King James II, Winston Churchill and Diana, Princess of Wales. Now, however, the 18th Duchess of Alba is giving away her immense personal fortune in order to be free to marry a minor civil servant.
According to Guinness World Records, Maria del Rosario Cayetana Alfonsa Victoria Eugenia Francisca Fitz-James Stuart y de Silva, born in Madrid’s Palacio de Lira, has more titles than any noble on earth, being a duchess seven times over, a countess 22 times and a marquesa 24. As head of the 539-year-old House of Alba, her privileges include not having to kneel before the pope and the right to ride on horseback into Seville cathedral.
But the children of the duchess, 85, have until now blocked her plans to marry Alfonso Díez, 24 years her junior. The duchess and Díez, a civil servant in the department of social security who also runs a PR business, have been close friends for a number of years.
Her six children who, as she likes to point out, are all divorced, were all borne from her first marriage to Pedro Luis Martínez de Irujo y Artazcoz, son of the Duke of Sotomayor, who died in 1972.
The duchess, who is rumoured to have undergone extensive cosmetic surgery, shocked the nation when in 1978 she remarried, this time to the former Jesuit priest and intellectual, Jesús Aguirre y Ortiz de Zárate. Aguirre, who died in 2001, was illegitimate, something scandalous even in 1970s Spain.
In 2008 it appeared that the proposed marriage to Díez had been called off when the House of Alba issued a statement saying that the relationship “was based on a long friendship and there are no plans to marry”. The statement came after an alleged telephone call from King Juan Carlos discouraging the duchess from marrying Díez.
But whatever the king thinks it now appears the duchess is going ahead with the marriage, and the details have now emerged of how she plans to overcome her children’s opposition: by giving them their inheritance in advance, even though Díez has signed a document renouncing any claim to her wealth. “Alfonso doesn’t want anything. All he wants is me,” she said earlier this year.
According to a report published in Spanish newspaper El País, her eldest son Carlos inherits the Liria Palace in Madrid and the Monterrey Palace in Salamanca, as well as overall control of the family fortune. Much of the patrimony is managed by a foundation and, in return for tax breaks, belongs by law to the nation and cannot be sold.
However, the duchess’s personal wealth is estimated at between €600m and €3.5bn and she has been able to give her children and eight grandchildren a palace each, as well as a chunk of the thousands of acres of Spain that she owns. Her only daughter, Eugenia, inherits an estate in Ibiza and a further 600 acres near Seville.
The duchess insists she is not that wealthy. “I have a lot of artworks, but I can’t eat them, can I?” she has protested. The art that she cannot eat includes, aside from hundreds of paintings, a first edition of Don Quixote, Columbus’ first map of America and the last will and testament of Fernando the Catholic, father of Catherine of Aragon.
guardian.co.uk © Guardian News & Media Limited 2010
Published via the Guardian News Feed plugin for WordPress.
Middle East royalty in the news
African royal news
- Swazi king endorses mass circumcision to fight HIV
- Swazi unions take to streets in protest strike
- S. Africa demands reform talks in Swaziland for loan
- Swaziland civil society democracy talks stumble



